"...when I listened to his music, I was struck by the welter of invention, and how his orchestral scores were teeming with ideas and colour...he's one of the most notable composers emerging at the moment".
- SIR JAMES MACMILLAN
"...[Jay's music] is strikingly elemental, in that his deft manipulation and development of musical material is a tough, rigorous and intelligent process...if his cosmic infatuation is anything to go by, it won't just be the world that is his oyster".
- KENNETH WALTON
"...a genuine sensation...a knock-'em-dead rocker with phenomenal propulsion...a total stunner...this boy will go far!"
- THE HERALD SCOTLAND
"He's original: new thinking, fresh expression and nothing second-hand; it's all his own...Heads up for a fresh voice".
- MICHAEL TUMELTY
"...superbly crafted work...a maturity that moulds components into cohesive, dramatic entities".
- THE SCOTSMAN
Scottish composer Jay Capperauld (born 1989) graduated Masters in Composition with Distinction from the Royal Conservatoire of Scotland in 2014 under the tutelage of Dr Gordon McPherson. Jay has since composed for various artists & organisations including; BBC Proms, BBC Philharmonic, BBC Scottish Symphony Orchestra, Royal Scottish National Orchestra, The National Youth Orchestra of Scotland, Psappha Ensemble, Hebrides Ensemble, The Wallace Collection, Red Note Ensemble, Workers Union Ensemble, the Glasgow New Music Expedition, the Glasgow School of Art Choir, West of Scotland Schools Symphony Orchestra Trust as well as composing solo works for Katherine Bryan of the RSNO, Alison Teale of the BBC Symphony Orchestra, the BBC Young Musician of the Year 2012, Laura van der Heijden, and has also written a Piano Concerto called ‘Endlings’ for the pianist James Willshire which premiered with the National Youth Orchestra of Scotland Symphony Orchestra during their Spring Tour in 2018. Jay more recently worked closely with the rising star saxophonist, Lewis Banks, on a new cross-media collaboration called 'Afterlife' in which Jay composed an hour's worth of music for Alto Saxophone and Piano which was performed alongside a newly commissioned film by the Manchester-based filmmaker Paul Wright. Jay has had his works conducted under many prestigious batons including Martyn Brabbins, Thomas Dausgaard, Ilan Volkov, Alpesh Chauhan, Sir James MacMillan, Jessica Cottis, Peter Wiegold, Garry Walker, Michael Repper and Pierre-André Valade. Jay’s music has also been broadcast several times on BBC Radio 3 as well as BBC Radio Scotland as part of its Classics Unwrapped programme. Jay has self-published his work for solo, duo and choral settings which is available to purchase online via his website.
Jay enjoys working with young composers in their development and learning, and recently helped establish the West of Scotland Schools Orchestra Trust’s inaugural composition course in 2019 as well as acting as a mentor for young composers as part of the RSNO’s Notes from Scotland composition scheme in 2020/21. Jay also enjoys facilitating learning and engagement experiences for young and amateur musicians by creating accessible multi-ability new works for the likes of the RSNO Community Orchestra in his piece ‘Interlaced’ which will premiere online in 2021 with conductor Michael Repper, as well as composing a celebratory fanfare called ‘Westering Echoes’ for all of the associate ensembles of the West of Scotland Schools Orchestra Trust commissioned for their 25th anniversary in 2021, which will also premiere in 2021.
A highlight of Jay’s career was being commissioned by the BBC to composed a new work for the BBC Proms 2020 in which his piece 'Circadian Refrains (172 Days Until Dawn)' was premiered by the BBC Scottish Symphony Orchestra, conducted by Alpesh Chauhan, and broadcast on BBC Radio 3 & BBC iPlayer. Jay is also continuing a strong collaboration with flautist, Katherine Bryan, in the development of his new Flute Concerto 'Our Gilded Veins' which has been commissioned by the Royal Scottish National Orchestra and will premiere in their upcoming season.
Jay says of his work:
“As a composer I have an interest in creating emotive, meaningful and engaging narratives through music that combines intellectually rigorous processes with accessible presentation. I always seek out collaborative partnerships with performers/commissioners who share my core value in celebrating undiluted, unapologetic and challenging new music while curating performance contexts that facilitate a welcoming musical experience for audiences. My music is often driven by a concept and always aims to tell a story, even in an abstract way, which has led me to write about a wide range of topics such as séances, natural marvels, the afterlife, the last known individuals of certain species, broken objects, religious iconography, Scottish identity/tradition, mental health and dollhouses depicting true-crime scenes. This means that my musical output alters depending on the concept, which allows me a freedom in my writing to explore my creativity without the limits of style or expectation. As a common theme, my work is primarily influenced by the symbolic concept of the “Vanitas” (an image of a skull that can be found mostly in Renaissance art that acts as a reminder that death is an ever-present motive force), which informs my artistic output and way of life. The Vanitas also informs the concept of transience in my music which is reflected in a wide variety of musical contexts, so that the idea of Death becomes a gateway for the brevity of Life which, for me, highlights an existential desire to explore and cherish it through music”.